[identity profile] captain-slinky.livejournal.com

(No matter how often i hear it and KNOW that he's saying "Horace J. Honeypot", to me it always sounded like the mayor was saying "Horace J. Onion-F*cker". Listen and see if you agree!)

By 1985, The Berenstain Bears had been featured in a gazillion "Easy Reader" books and even a few prime-time animated specials, so why not bring them to Saturday Morning television? CBS, who was always looking for new cartoons that could potentially fill that ever growing "Educational And Informative" mandate, took the chance and put The Berenstain Bears at the head of their Saturday Morning line-up in the 8:00 slot.

Never seen it? One-line summary: Little House On The Prairie, with bears instead of people, but the kids are thoroughly modern 80's kids.
[identity profile] captain-slinky.livejournal.com


It is generally accepted and agreed upon that THIS SHOW was "The Beginning Of The End" for Saturday Mornings. Up till this point the Parental Watchdog Groups, Marketing Executives and Overzealous Censors had only had an effect on NEW cartoons being produced... but at 8:00 Saturday morning in 1985 on ABC, a precedent was set that changed the entire dynamic of Saturday Morning Cartoons FOREVER.

After numerous years of volleying the Looney Tunes cartoons back and forth between CBS and ABC (resulting in a few seasons where there were Looney Tunes cartoons on both channels under different names), CBS finally backed out of the bidding and let ABC snatch up the exclusive network broadcast rights - but at a cost. Marketing, Censors and Watchdogs had just a few simple requests...

No Speedy Gonzales (because he was racist), and no Tweety Bird (because he was GAY).

Speedy was racist because he spoke with an accent, and Tweety was Gay because he spoke was pretty and spoke in a high voice.

Despite the ludicrous accusations, ABC went ahead and pulled the Speedy and Tweety cartoons that had been running for the past 15 years without question or hesitation. The Censors had their foothold - NOTHING was safe from this point forward. They could now retro-actively censor, edit and otherwise ban whatever they liked for any old reason, knowing that there would be no questioning of The Great And Powerful Standards & Practices Board.

Saturday Morning, was doomed :(
[identity profile] captain-slinky.livejournal.com


Sheesh! Are there ANY new cartoons of 1984 that DON'T have some crazy story behind them?

In 1984, NBC kicked off their official broadcast Saturday morning with a half-hour of The Snorks at 8:00. The most successful of all the Smurfs knock-offs, The Snorks are the product of underhanded business dealings, Dutch pop-star negotiations and an honest-to-gosh 3-minute LOST TREASURE OF THE 80'S!

You can blame Freddy Monnickendam.

Freddy was a Belgian businessman, plain and simple, who negotiated the rights for Father Abraham (real name: Pierre Kartner, a well known and respected Dutch performer) to sing "The Smurf Song":

(YOU MUST WATCH THIS TO UNDERSTAND!)

This negotiation (which proved to be quite financially agreeable for all parties involved) lead to Freddy Monnickendam becoming THE GUY who negotiated all of the Smurfs merchandising beyond the comics. Freddy is the reason we have a Smurfs cartoon!

Freddy is also the reason we have a Trollkins cartoon :(

Remember back in the write-up of The Trollkins where I told the tale of Peyo seeing the finished committee-aproved version of The Smurfs (aka "Trollkins") and he reportedly said "That is a very nice cartoon, and I can hardly wait to see what you can do with a GOOD concept like my Smurfs"? FREDDY MONNICKENDAM WAS THE GUY ON PEYO'S SIDE OF THINGS WHO TOLD HANNAH-BARBERA THAT THE TROLLKINS VERSION WAS OKAY AND TO GO AHEAD WITH IT!!!

Freddy was the first executive producer of The Smurfs, but Peyo wanted the Smurf cartoons to be as faithful as possible to the world he had created in his comics, and Monnickendam preferred to make the cartoons more "mainstream" - (aka "Scrappy-Dooified"). This led to fast deterioration of relations between the two men, ending in court cases about the division of the rights and the money involved.

Freddy was pretty open about how he though Peyo was foolish to not allow these big, important American Marketing Executives to make The Smurfs in to something that would be a sure-fire hit (like "Trollkins"), and if HE owned The Smurfs, out-right, he could -

Hang on. A light bulb of villainous ingenuity appeared over Freddy's head, his eyes turned in to dollar signs, and he rubbed his hands together in sheer delight at the awesomeness of his evil plan...

He hired an artist/designer by the name of... crap. Can't remember his name. Freddy hired a guy who took the smurfs, replaced the heads and put them underwater. Freddy rushed this concept right along. Now that he had connections at Hannah-Barbera, he was able to push this concept through production and create a three-minute "Pilot" that, although it is on production schedules and notes and was paid for through billing and was well received by the test groups according to the reports, NO ONE HAS EVER SEEN IT OR KNOWS WHERE IT IS.

Little tiny bit of it (about 15 seconds total) showed up on the NBC Saturday Morning Preview Show that year, but that's it. It's a bonafide lost treasure of The 80's :)

Freddy maneuvered quickly, buying up all the rights to The Snorks and just waiting for the Smurfs-like money to come rolling in.

So now you know the secret behind The Snorks; created out of spite by a Belgian businessman to try and teach a nice cartoonist a lesson :)
[identity profile] captain-slinky.livejournal.com


In 1984, the official network feed from ABC started at 8:00 with the all-new Super Friends: The Legendary Super Powers Show, a show that forever changed how Saturday Morning Cartoons worked.

Geez, how do I write this out in a bite-size blog post???

Backwards, I guess?

You may have noticed that the 1983 ABC line-up didn't have a Super Friends cartoon. This was because all the OLD episodes were finally available for 5-days-a-week syndication. The folks at ABC didn't like that, feeling that new episodes would be competing with syndicated re-runs on other channels and/or at least providing free network advertising for the syndicated episodes, pulled the plug. The general attitude of ABC was that they wanted something completely new that was noticeably different from the syndicated Super Friends, while also remaining the same.

Meanwhile, the Super Friends comic book was selling great by churning out stories that were more in line with what was actually being published in current DC comics rather than stories geared towards the cartoon viewers.

Also, comics legend Jack Kirby was now a freelance artist looking to do more non-comics work in animation which could then lead to character ownership and a piece of the merchandising action, churning out untold amounts of concept drawings for the folks at Ruby-Spears.

And last but not least, the MEGO company no longer had the rights to make DC comics action figures - the rights were snapped-up by Kenner Toys and the industries first "Multi-Marketing Blitz" began (more on that later).

All these things fell in to place *perfectly*. Hannah-Barbera hired writers from the Super Friends comics to write episodes of a new cartoon, and Jack Kirby characters and designs were used for the new Kenner "Super Powers" line of toys.



The "Super Friends" comic book was cancelled, replaced by a series of "Mini Series" comics under the "Super Powers" title.


And the new cartoon, which had been pitched and developed under the two separate titles of "The Super Powers Show" and "Super Friends: Legends", debuted as "Super Friends: The Legendary Super Powers Show" (love that compromise).

Multi-Market Media Blitz had been done before, but in a much different way; characters such as Strawberry Shortcake and The Shirt Tales had started their lives as greeting card characters and moved on to toys and cartoons, sure... but this? This was a special oroborus of creativity. A cartoon that inspired a comic book that inspired a toy line that inspired a comic book that inspired a cartoon - WOW!

Later in the 80's you would see this type of stuff happen a lot with properties such as Transformers, GI Joe and Masters Of The Universe... but this cartoon is where it all started :)

This incarnation of The Super Friends introduced Darkseid, Apokalypse and Firestorm to the mix, as well as featuring Adam West as the voice of Batman for the first time in Super Friends history :)
[identity profile] captain-slinky.livejournal.com


CLICK HERE TO JOIN US LIVE RIGHT NOW!!! Remember, this is our first time using the LiveStream service, so be sure to give us plenty of feedback! You'll probably have to sign up for a LiveStream account, so be prepared. I did the "Log In Using Facebook" option and had no problems, so HOORAY there's a use for Facebook!

If you're having problems of any kind and can't get through to us on the LiveStream chat, feel free to leave a comment here or on any of today's watch-along posts, I'll be checking on a regular basis throughout the day.

See you there :)
[identity profile] captain-slinky.livejournal.com


Monchhichis was yet another "We want another show like The Smurfs" cartoon series produced by Hanna-Barbera for ABC that premiered at 9:00 in 1983. The Monchhichis were monkey-like creatures who lived in some weird forest land called Monchia at the very top of some very tall trees high above the clouds. The tribe's leader was Wizzar, a magical wizard who could make up spells and potions to defeat their enemy, the evil Grumplins of Grumplor.

Much like The Smurfs, The Monchichis were already a beloved property elsewhere before we got hold of them and made them STARS. The Monchichis were a line of Japanese stuffed toy monkeys from the Sekiguchi Corporation, first released in 1974. They became so popular that they even got their ow cartoon series in 1980, "Monchhichi Twins", which was nothing like the Hanna-Barbera Monchichis cartoon of 1983.

Moved to 8:00 in the spring of 1984, when it was combined with the Richie Rich and Little Rascals show.
[identity profile] captain-slinky.livejournal.com


In 1983, CBS started their official broadcast offering at 8:00 with the Hanna-Barbera show THE BISKITTS. The Biskitts are a group of tiny anthropomorphic Robinhood-esque dogs who live on Biskitt Island and guard the crown jewels of Biskitt Castle while also performing good deeds for the underprivileged inhabitants of their tiny island. The villain of the series is the king's mean-spirited, wasteful, younger brother King Max who rules the neighboring Lower Suburbia. In lieu of a proper coronation, Max constantly schemes to steal the royal treasure with the help of his hench-hounds Fang & Snarl and his jester Shecky. The Biskitts are also in danger of being captured and eaten by a large wildcat named Scratch.

And then they were almost killed by ANOTHER group of anthropomorphic animals, The Shirt Tales

See, when The Biskitts was first ordered and presented to advertisers, they all thought they had a genuine hit on their hands. LITTLE ROBIN HOOD PUPPIES!!! It looked like The Smurfs, only with TALKING PUPPIES! How can you go wrong with PUPPIES???

PUPPIES!!!

Provided that the show could pull in the ratings, The Biskitts were poised to be the next Smurfs, with toys, comics, posters, books, sheets, tissues, school supplies - you name it! Provided that the kids would tune in...

The mid-season rating came in and it seemed that children everywhere agreed - The Biskitts ranked somewhere between "The Morning Farm Report" and "Just turning off the TV so we can go outside and play". They tried for a FULL SEASON ROTATION (Fall and Spring) to make this show click with the kids, but it just didn't happen.

Meanwhile, some magical shenanigans were underway behind the scenes! The fickle finger of fate was stirring things up in several place at once to make sure that this show reached the proper audience! All at once, these seemingly unconnected thing happened:
  • CBS was pestering Hanna-Barbera over misrepresentation of this show, insisting that H-B "Fix it".
  • NBC, realizing that they couldn't win the Saturday Morning Ratings Game with re-packaged reruns, were looking to streamline and modernize their Saturday Morning line-up.
  • Patriotism in America was on the rise thanks to The Cold War.


SO! CBS cancelled the second season of Biskitts at the last possible moment. NBC Cancelled Shirt Tales to make room for stuff like Kidd Video. Hanna-Barbera pledged to provide the Armed Forces Network with more "fresh" programming than ever before, "for the troops".

Hanna-Barbera said "Hey CBS! We've got a proven performer for you, SHIRT TALES!"

Hanna-Barbera said "Hey Armed Forces Network! We've got a super-fresh cartoon for you, THE BISKITTS!"

So come Fall of 1984, The Biskitts were replaced by The Shirt Tales AND The Armed Forces Network started showing The Biskitts to the children of our troops stationed abroad, primarily Europe and Asia. That SHOULD be the end of the story, but...

The Biskitts achieved a level of popularity on the Armed Forces Network that they had hoped for here in the States! CRAZY! CBS was supposedly FURIOUS and said something akin to "How DARE YOU take away our wonderful show and replace it with this mediocre cast-off from NBC? GIVE US BACK OUR BISKITTS!"

And so in the Spring of 1985, The Shirt Tales went away and were replaced with re-runs of The Biskitts. Theory was that The Biskitts had just been "before it's time" in the US, but once again it tanked in the ratings and was gone by Fall of 1985.

HOWEVER, as a happy footnote for all you Biskitts fans? The Armed Forces Network continued to rerun the 13 episodes (26 11-minute segments) all the way through the 80's, giving them an international notoriety rarely seen by a single-season cartoon :)
[identity profile] captain-slinky.livejournal.com


ABC Television brought us this, the SIXTH incarnation of Scooby-Doo, at 8:00 Saturday morning in 1983 courtesy of Hanna-Barbera. For those of you keeping score, THIS is the version that featured Scooby, Scrappy, Shaggy and the triumphant return of DAPHNE BLAKE, who hadn't been in an episode since 1979! They drove around the country solving supernatural mysteries (usually lasting only 11 minutes but occasionally being a two-part story that took the entire half-hour to complete).

It's my opinion that the newer "Mystery Incorporated" cartoon from Cartoon Network (which was absolutely BRILLIANT and you should go watch season 1 RIGHT NOW) borrowed heavily from this particular incarnation, with a bit more serious approach to the mysteries than before while also being slightly self-aware of just how silly this stuff could be. Moved to the 9am time slot in the Spring of 1984.

For the official 1984 Fall Season, they renamed the show to "The New Scooby-Doo Mysteries" and made no other changes to the show, just producing 13 more episodes. Moved to 10:30.
[identity profile] captain-slinky.livejournal.com


"SPEED BUGGY!??!" I can hear you yelling at your computer screen. "But Captain!" you protest, "Speed Buggy is a Saturday morning cartoon produced by Hanna-Barbera Productions and broadcast on CBS from September 8, 1973 to August 30, 1975 that followed the adventures of an anthropomorphic, fiberglass Dune Buggy and his teenage friends as they solved Scooby-Doo-esque mysteries! What's it doing under the heading of 1982?!?!?"

Blame Bo and Luke Duke.

The Dukes of Hazzard was an extremely popular and high-rated hour-long prime-time television show on CBS Friday nights. Having seen the success of prime-time-to-animation transition shows such as The Fonz, Laverne & Shirley (as well as historically successful cartoons of The Partridge Family, Gilligan's Island and Star Trek), CBS decided they wanted to diversify and bring them Duke Boys to Saturday Mornings. "Hey, Hanna-Barbera, can YOU make us a Dukes of Hazzard Cartoon?" they asked, and since Joe & Bill could never say no, they did all the work needed to get a cartoon done (model sheets, story boarding, voice casting, script writing, etc) and everything was ready to go! Bring in the celebrities in, record the dialogue, bring the actors in again for a final voice-over and...

In the spring of 1982, as filming was due to begin on the fifth season of the prime-time show, series stars Tom Wopat and John Schneider did not report to the set due to a contract dispute. Catherine Bach (their cousin "Daisy") also considered walking out due to similar contract concerns, but Wopat and Schneider convinced her to stay, insisting that settling the dispute was "man's work" (actual quote). Rather than cave in to the demands of the talent, CBS pulled the old "YOU ARE NOT SPECIAL. YOU CAN BE REPLACED" move and hired two new actors, Byron Cherry as Coy Duke and Christopher Mayer as Vance Duke.

"Hey, uhm... Hanna-Barbera? You guys can change all the animation and voice-over and everything before September, right?"

Hanna-Barbera said no, we CAN'T do that are you CRAZY it's not that simple, but CBS (at this point crazy with Ceasar-esque power) said something akin to YOU WILL HAVE A CARTOON READY THAT FEATURES OUR NEW GUYS AND LOOKS NOTHING LIKE THE OLD GUYS OR YOU'LL NEVER WORK IN TELEVISION AGAIN, and so H-B said well I guess we can try but we can't guarantee anything so maybe you shouldn't put it on the Fall Schedule...

...And CBS proceeded to promote that a Dukes Of Hazzard Cartoon would be the first cartoon in their 1982 Saturday Morning Line-up.

There are different accounts of what happened next, but the facts are these:
  • The affiliates were told that they would have a Dukes Of Hazzard cartoon at 8:00 Saturday morning, September the 18th.
  • The network and the affiliates sold advertising based on the projected number for a brand-new Dukes Of Hazzard cartoon.
  • CBS received a shipment from Hanna-Barbera labeled "The Dukes Ep 01".
  • The shipment contained re-run of the 1973 Speed Buggy cartoon.
  • Advertisers and Affiliates were PISSED OFF.

The official story is that CBS was aware of the possible Speed Buggy substitution, having communicated with H-B and said something like "Well if you CAN'T get us a Dukes of Hazzard cartoon in time, just send us SOMETHING to do with cars and racing" and intended to compensate affiliates and advertisers only in the event that H-B could not get the Dukes cartoon completed in time.

Popular Theory (and my personal favorite) is that CBS remained stubborn and threatening, so H-B sent them a box labeled "The Dukes" as a decoy while they frantically wrapped production on the new version of The Dukes, with lots of "Gee I don't know how this happened, we finished production a week ago, it must have been my new intern, we're tracking it down right now, blah blah blah" excuse till the Spring of 1983.

Spring of 1983 saw only one new cartoon debut, "The Dukes". More about THAT when I get to 1983 :) Also, it all became a moot point because Coy & Vance only lasted one season before the contract disputes were settled and the proper Duke Boys were back, making the second season of The Dukes SO EASY for Hanna-Barbera to produce since they were 98% done and in the can :)
[identity profile] captain-slinky.livejournal.com


Saturday mornings in 1982, over on NBC at 8:30 in the morning you could find the adventures of The SHIRT TALES, although if you're younger than me you *probably* remember this show from somewhere else and are getting ready to hit "Leave Comment" to let me know that I've made a terrible mistake.

HOLD THAT BUTTON, and read on...

Much like other perennial 80's favorites Strawberry Shortcake and The Care Bears, The Shirt Tales were created for the Hallmark Greeting Card Company (by Janet Elizabeth Manco) with no real story or reason other than to look cute on greeting cards. The Hanna-Barbera came along and gave them a storyline! Tyg Tiger (in orange), Pammy Panda (in pink), Digger Mole (in light blue), Rick Raccoon (in red), and Bogey Orangutan (in green) lived in a big hollow tree in Oak Tree Park (as Tigers, Pandas, Raccoons, Moles and Orangutans often do in the wild) and wore shirts which flashed various brightly lit messages reflecting their thoughts. They spent their time teasing the park ranger (Mr. Dinkle) and FIGHTING CRIME AS SOME SORT OF SUPER-SECRET AGENTS (as Tigers, Pandas, Raccoons, Moles and Orangutans often do in the wild). They zipped around the world in a vehicle known as the STSST (Shirt Tales Super-Sonic Transport) which was a car, jet, boat, submarine, and pretty much anything else they wanted/needed it to be.

The show ran for two seasons on NBC Saturday Mornings, 10 episodes in the first season and 13 in the second season. In the second season things changed *slightly* with the addition of "Kip" (a young Kangaroo) and an apparent power-struggle between Rick and Tyg. Rick was rarely seen in that second season, which i weird since he had been the apparent leader of the group in season 1. Weird.

Anywho, you *MAY* remember seeing this cartoon on CBS rather than NBC, and with good reason; in the Fall of 1984, NBC dropped Shirt Tales from their schedule and it was immediately snapped-up by CBS, who were looking for a last-minute filler to replace the low-rated "The Biskitts" cartoon at the last minute. CBS showed a mix of re-runs from both seasons of Shirt Tales.
[identity profile] captain-slinky.livejournal.com


At 11:00 on ABC in 1981, you would get to see a little how called "Super Friends" for the very first time.

Not "The Super Friends" as it had been when it debuted in 1973.

Not "The ALL NEW Super Friends hour which debuted in 1977.

Not "The Challenge Of The Super Friends" of 1978.

Not "The World's Greatest Super Friends" of the 1979/1980 season (which we have already covered in this community)

No... this is SUPER FRIENDS. So what's different about this series, other than the snappy new title sequence? The short answer is Length and El Dorado.

Up till this series, all the incarnations of the Super Friends had comprised of half-hour adventures, but the only new content for THIS serie were seven-minute shorts. Each episode of Super Friends would feature a rerun from one of the previous six years and three new shorts. These new adventures featured appearances by the 5 "Big Guns" (Superman, Wonder Woman, Aquaman, Batman and Robin) plus The Wonder Twins (Zan, Jayna and their space-monkey Gleek) and the occasional "Guest Star" roll by other heroes of th established DC Universe (Flash, Green Lantern, etc). Also heavily featured were past episodes that included "Ethnic" character such as Apache Chief, Black Vulcan and Super Samurai. The only NEW character introduced this year was the Hanna-Barbera-created hero El Dorado, who was added to the show to provide further cultural diversity. This would prove to be one of the longer-lived incarnations of the series (three years).

(Also aired at 8:00 in 1982 and 1983)
[identity profile] captain-slinky.livejournal.com


The Kwicky Koala show from Hanna-Barbera aired at 8am on your local CBS station starting in 1981, and only lasted one season. The show is a pretty forgettable comedy anthology, mostly notable for being among legendary cartoon director Tex Avery's final works. Avery died during production in 1980.

The show consisted of a mish-mash of relatively fresh and original comedy concepts that were unfortunate victims of an overzealous network of censors, corporate interests and parental watch-dog groups who feared anything that might even come close to being actually funny (I'M BIASED).

Kwicky Koala was a cross between Tex Avery's "Droopy" cartoons of the past and a Road Runner/Speedy Gonzalez theme. Wilfred Wolf was always trying to catch Kwicky for some undisclosed reason (either money or cartoonibalism, I think?), and Kwicky used the natural faster-than-light capabilities of a Koala(?!) to outsmart him and escape.

The Bungle Brothers were the vaudeville dogs who kind of hosted the show, and/or were always trying to sell their vaudeville act and become big stars. They didn't really have a PART in the show, just the little intros and endings of each episode.

Crazy Claws was a wildcat who used his sharp wits and equally sharp claws to evade the fur trapper Rawhide Clyde and his dog Bristletooth in a National Park run by Ranger Rangerfield. I don't remember much about this one other than how my buddy Kevin always said that Crazy Claws reminded him of his favorite X-Man, Wolverine (he bought a copy of Incredible Hulk #181 for $8 and back in 1981 that was just stupid-expensive for one comic book, but I digress...)

Dirty Dawg was the story of a homeless vagrant dog and his best friend (a rat named Ratso) as they tried to better their lives, and Officer Bullhorn as "The Man" who constantly foiled them.
[identity profile] captain-slinky.livejournal.com


Tune in at 9:30 on Saturday morning in 1980 to your local ABC affiliate and you'll see "The Richie Rich / Scooby-Doo Show (And Scrappy Too!)" Yeah that's the actual title... Scrappy even ruins the NAME of a show!

This was another "package show" produced by Hanna-Barbera Productions, featuring a pretty lenient mix of re-runs and new content. This was the sixth Scooby-Doo saturday morning cartoon show, and was the only Hanna-Barbera package series for which Scooby-Doo was given second billing. But that's understandable, considering that this was Richie Rich's animated debut :)

(Also aired in the 8:00 spot in 1981)
[identity profile] captain-slinky.livejournal.com


The Flintstones Comedy Show (not to be confused with the Flintstones Comedy HOUR of 1973) was on the air Saturday mornings from 9am till 10:30 (AN HOUR AND A HALF?!?!?) on your local NBC affiliate in 1980. This revival of the classic Hanna-Barbera stone-age family featured six different segments: The Flintstone Family Adventures (standard Flintstones stories featuring the Flinstones & the Rubbles doing late-70's/early-80's stuff), Bedrock Cops (Fred and Barney are now police officers assisted by the Shmoo as a trainee under the direction of Sgt. Boulder), Pebbles, Dino and Bamm-Bamm (Teenage Pebbles and Bamm-Bamm solving mysteries with Dino, in the tried-and-true HB Scooby-Doo formula), Captain Caveman (a prequel to the 1970's "Captain Cave-Man & The Teen-Angels" cartoon that showed Captain Caveman in his natural stone-age setting), Dino and Cavemouse (The Flintstones version of Tom & Jerry), and The Frankenstones (a hybrid of The Addams Family, The Munsters and The Flintstones).

My biggest complaint about this cartoon was that it seemed to be on ALL MORNING LONG. Flintstones were okay in small doses, but 90 MINUTES??? Three different half-hour time slots where I could have been seeing ANYTHING ELSE??? Nope, that's too much.

(Also aired in a much shorter 30-minute version at 8:00 in 1981/1982, and then as "The Flintstone Funnies" from 1982 till 1984 - check out the hilariously inept re-working of the intro!)

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