[identity profile] captain-slinky.livejournal.com


Here's a link to Mark Evanier's blog where he reflects on his involvement with the Dungeons & Dragons cartoon and the Garfield & Friends Cartoon which marked their 30th and 25th anniversaries yesterday. It's a quick read and pretty informative!

Mark Evanier is the guy who wrote (among other things relevant to our interests) the pilot episode, another episode and the "Series Bible" for the Dungeons & Dragons cartoon, as well as the vast majority of all the Garfield cartoons you've ever seen :)
[identity profile] captain-slinky.livejournal.com


(Please excuse the crazy custom CBS Story Break editing of The Secret World Of Og that is embedded above - it was the only version of the original that I could find, and the uploader has found a unique way of getting around YouTube Copyright restrictions by creating something from it that has never existed - BRILLIANT!)

The 1983 season of The ABC Weekend Special introduced 9 new half-hours of programming to add in to the mix of constantly recycling past seasons, my personal favorite being The Secret World Of Og (embedded above). The new segments included:
  • The Haunted Mansion Mystery (Part 1)
  • The Haunted Mansion Mystery (Part 2)
  • The Red Room Riddle
  • Horatio Alger Updated: Frank and Fearless (Part 1)
  • Horatio Alger Updated: Frank and Fearless (Part 2)
  • All The Money In The World
  • The Secret World of Og (Part 1)
  • The Secret World of Og (Part 2)
  • The Secret World of Og (Part 3)


This season included a disproportionate ratio of live-action to animated episodes, but The Secret World Of Og made it all worthwhile :)
[identity profile] captain-slinky.livejournal.com


Where do you begin with this? In 1983 at 11:00, the folks at NBC brought us the adventures of Mister T as animated by the Ruby-Spears studio.

If you don't know who Mister T was/is, I have nothing but pity for you and think you somewhat akin to a Foole.

The premise of this show was the Mister T was the trainer/coach of a teenage gymnastics troupe who for some reason drove around the country solving mysteries. They also had a dog with a mohawk and a red-headed white boy who wanted to be Mister T.

Unlike other celebrities who got their own cartoon series (Chuck Norris, Hulk Hogan, Muhammad Ali, etc) Mister T was pretty heavily involved with the creative end of this cartoon series. Each episode opened with Mister T explaining the set-up of the episode, and ended with him explaining the moral of the story in a live-action segment. There was a big struggle between the story writers and T, where the story writers wanted Mister T to perform some super-human feat of strength each episode (the entire reason behind making a cartoon about a muscle-bound hero, after all), but T insisted that his role be more of a mentor and not doing things that kids would try to imitate at home. This is why many episodes end with The Bad Guy just SEEING Mister T and deciding to give up rather than fight.

The show ran for 30 episodes over the course of three seasons, but because of contractual negotiations that fell through at the last minute Season 3 ended up being 100% re-runs of episodes from the first two seasons; they never even made it to the plotting stage of Season 3 because at that time, Mister T was trying to develop his standing in the WWF Professional Wrestling Federation - distancing himself from his established "Good Guy" persona.
[identity profile] captain-slinky.livejournal.com

(I defy anyone to find full episodes of this show in English!)

On Saturday Morning in 1978, the ABC Weekend Special aired an animated adaptation of Jane Thayer's "The Puppy Who Wanted A Boy", the story of a puppy named "Petey" who becomes attached to a young orphan named Tommy. One of the most heavily repeated of all the ABC Weekend Special episodes, the next 4 years of ABC Weekend Specials included such titles as "The Puppy's Great Adventure", "The Puppy's Amazing Rescue" and "The Puppy Saves The Circus". In 1982, The Puppy got a co-starring title role in The Scooby And Scrappy Puppy Hour, and then finally in 1983 he got his own half-hour show at 11am on ABC. See? If you start at the bottom, you CAN work your way to the top!

This cartoon featured The Puppy and his friends searching all over the world for Tommy and his adoptive family, then in the second season opener they FOUND the boy and traveled all over the USA with them having adventures where they met and teamed-up with a flying puppy named "Glyder" (his ears were so large he could use them to fly like Dumbo the elephant).

No matter who I ask about it, nobody seems to know why there's such an embargo on this beloved Ruby-Spears classic other than "I dunno, I think it's something with the rights being tied-up?" This is really sad, because this was an incredible series of cartoons!

Reruns were later picked up and aired on CBS as "The Puppy's Great Adventures".
[identity profile] captain-slinky.livejournal.com


Bneji, Zax & The Alien Prince was a live-action show that premiered at 11:00 Saturday morning in 1983 on CBS. Created by Benji's owner, Bob Camp, this show was one of Hanna-Barbera's infrequent attempts at a live-action TV show. Pretty much everything you need to know about every episode is right there in the opening credits - Space Prince and his Robot hide from an Evil Empire here on Earth with the help of the most famous dog of the 70's/80's, Benji.

For the longest time, I thought this show was some fevered dream or hallucination from my childhood; I think I tuned in to one or two episodes by accident, in the middle of the show, so I had no idea what was going on. FREQUENTLY preempted for College Football and/or Golf, the show had a very spotty record of actually making it to air in most time zones.
[identity profile] captain-slinky.livejournal.com


I'd have to do too much googling to confirm or deny this so I'll just let all y'all correct me if I'm wrong; 1983, 10:30 on NBC brought us the first ever Saturday Morning "Reboot" of a cartoon*, Alvin & The Chipmunks.

Back in 1961, Alvin & The Chipmunks looked like this (please feel free to ignore the Nickelodeon branding):


Produced for prime-time television, this version of The Chipmunks was a fast-paced half-hour "Gag" show, with 2 musical segments, a "Clyde Crashcup" cartoon and a single, quick joke featuring The Chipmunks.

But here in 1983, the show was refined. The musical segments were gone, replaced by actual storylines and character development. The character of Dave Seville was finally established as an adoptive father rather than an ambiguously disassociated record producer with anger management issues. The artistic style of the 1983 show was smoothed out and standardized to fit in with all the other cartoons of 1980's Saturday Morning thanks to the involvement of Ruby-Spears, as opposed to the highly stylized 1961 version that had been crafted solely by Bagdasarian Productions.

This was a completely different cartoon.

From the very first episode of the 1983 version, they distanced themselves by having a guest appearance by Mister T and also by introducing "The Chippettes". Even the theme song (one of the best ever on Saturday Mornings) implied that this was an all-new, all different approach to the Chipmunks and it REALLY WORKED!

*(You may point out various Hanna-Barbera shows of the 70's such as "Yogi's Space-Race", "The New Scooby-Doo Movies", "Yogi's Ark" and/or "Laugh-A-Lympics" as previous reboots of cartoons, but those weren't reboots so much as sequels that just used the same characters in new situations. It's like the difference between "Star Trek III: The Search For Spock" and the more recent JJ Abrahms "Star Trek" movies)
[identity profile] captain-slinky.livejournal.com


The Littles, the first cartoon to be produced by the legendary DIC Entertainment for American Network Television, premiered in 1983 at 10:30 on ABC. The story centers around a civilization of little people with mouse-like features who live in our walls and under our homes. They are discovered by a human boy named Henry Bigg, who helps protect them and keep their secret from the Men-In-Black-esque Dr. Hunter and his assistant, Peterson.

This show was/is one of my obsessions. The year I discovered The Littles, I spent all my free time building miniature furniture from toothpicks and popsicle sticks, hiding them around the house and then "finding" them, recording my findings on my portable cassette tape player/recorder (you know the kind, with the one giant speaker). I wanted The Littles to come out and reveal themselves to me SO BAD, I was willing to frame them and then blackmail them in to it!

So here's a mystery that I've never been able to confirm or deny... according to Dick Clark on the 1983 ABC Weekend Preview Special, The Littles made their debut as an episode of the ABC Weekend Special. Check it out:


Evidence that I didn't just imagine it!

Dick is referring to The ABC Weekend Special episode #55 from 1982, "The Joke's on Mr. Little" - WHICH HAS NOTHING TO DO WITH THE LITTLES!!! To quote the IMDB summary,
"Two boys decide they don't like a teacher, Mr. Little (the grossly underused and under-appreciated Richard Sanders), so they set out to play little pranks on him, but Mr. Little always manages to rise above each joke. In the end, the jokes backfire, endangering the boys and Guess Who! - has to come to their rescue."


You will never know or appreciate just how much of my pre-internet life was wasted in pursuit of this mythical "First Episode" that never existed!!!

The Littles *technically* lasted for 3 seasons, though there were only 29 episodes (13 for the first season, 8 each for the remaining 2) as well as a few specials such as the theatrically release "Here Come The Littles (which is an excellent jumping-on point that explains the origins of The Littles relationship with Henry Bigg) and the made-for tv movie "Liberty & The Littles" which was split in to three episodes and packaged together with te rest of the run for syndication.
[identity profile] captain-slinky.livejournal.com


At 10:30 in the morning on CBS in 1983, you got something pretty darned special - The Charlie Brown And Snoopy Show! These characters had been around since 1950 and been the subject of several movies and seasonal television specials, but never before - not even during the HEIGHT of popularity in the 1960's - had there ever been a weekly cartoon!

The show was pretty straightforward and easy to produce, as they had over 30 years of "storyboards" to pull from - and that's exactly what they did. Direct adaptations of the comic strips. It was quite brilliant! Produced by Bill Melendez, whose animation studio generally specialized in specials, these episodes fit seamlessly with all the existing movies and specials that had already been produced!
[identity profile] captain-slinky.livejournal.com


At 10:00 on ABC in 1983, you'd find "Rubik The Amazing Cube" courtesy of the fine folks at Ruby-Spears. As is the case occasionally here at the SMHRS, once I started Googling to confirm or deny the information I knew about this show, I learned that I was WRONG. This is the second or third time I've had wrong information on something!

So first, let's start at the basics. The Early 80's were all about 3 things - Pac Man, MTV and The Rubik's Cube. The Rubik's Cube, for those who may not know for some weird reason, was a very popular cube-shaped puzzle with 36 squares of 6 different colors that could be rotated to create headaches and confusion.

So naturally, they made a cartoon about some Puerto Rican kids finding a magic one that could talk and help them with their daily conflicts while they helped the cube avoid being captured by the evil Gypsy Magician who would use the power of the cube to rule the world.

My INCORRECT INFORMATION on this cartoon was that the entire voice cast had been members of the popular Puerto Rican Boy Band "Menudo", along with Emanuel "Webster" Lewis as the voice of Rubik.


(Yeah, THOSE GUYS)

Ends up that Menudo only sang the theme song to the show, and the voice of Rubik was done by former Sweathog Ron "Horshack" Palillo from "Welcome Back Kotter" (a show that surprisingly holds up rather well after the passage of so much time).


Yeah, THAT GUY)

One story about this show that I've always heard that made me feel warm-n-fuzzy on the inside is that the Puerto Rican kids on this show wasn't some affirmative action, racial equality, diversification mandate from higher up; the show was pitched as specifically Puerto Rican in order to capitalize on the momentum of the popular "Menudo On ABC" segments. Instead of being forced to rework a character or characters in to ethnic roles for diversification sakes (which is why cartoons are so full of multi-racial casts that all act as white as a bag of mayonnaise & marshmallows), this show was *natural*.

I love that :)
[identity profile] captain-slinky.livejournal.com


(This video includes both versions of the opening credits, watch to see the differences and similarities - it's fun!)

Most of what needs to be said about The Dukes (the cartoon based on the popular "Dukes Of Hazzard" tv show) has already been said in the Speed Buggy post from 1982, but in summary...

Cartoon was nearly complete thanks to Hanna-Barbera, actors went on strike, replacement cartoon was late, Speed Buggy was aired instead, The Dukes debuted in the Spring of 1983 with "Coy and Vance" instead of "Bo and Luke".

Now, further fun stuff :)

This cartoon was doomed from the moment CBS decided to use it as a bargaining chip in their negotiations with the actors. Putting it on the air with two guys who WEREN'T the Duke Boys that everybody knew and loved drove away the viewers, and by the second season (once the real Duke Boys had returned) nobody was willing to give it a chance, probably because no one actually KNEW that the real Dukes were back on the show.

And speaking of that second season... the entire two-season run worth of 20 episodes ran in one year - Spring of 1983 till Spring 1984. Since H-B already had most of the second season (which had been intended to be the first season) completed, turnaround for getting these episodes on TV was no problem. Poor ratings were blamed for the quick cancellation.
[identity profile] captain-slinky.livejournal.com


The Dungeons & Dragons Cartoon that debuted at 9:30 on CBS in 1983 was a historically significant milestone for Saturday Mornings on many levels, and I hope I can keep my thoughts collected/organized enough to convey the importance of this cartoon to you.

First of all, it was a milestone for the team at Marvel Productions. Since their inception just over a year ago, their cartoons fell in to two categories - Marvel Super Heroes, and Hanna-Barbera Rejects. When they made animation for established Marvel super-hero properties it was a huge hit, but when they tried to make original stuff like the other big names of Saturday Mornings we got forgettable stuff like "Pandamonium" and "Spaghetti & Meatballs". Dungeons & Dragons was their first non-comics property to become a HIT, consistently winning in the ratings for it's time slot for its first two seasons against shows such as Pac-Man and The Smurfs!

Second, it was a milestone in Voice Acting. This show had a star-studded cast full of folks who were actually on prime-time television shows at the time! Willy Ames from "Charles In Charge" (as well as movies and other TV shows at the time), Donny Most ("Ralph Mouf" from Happy Days) and Adam Rich (from "Eight Is Enough"), all considered to be "real actors", provided lead character voices for this show (Hank, Eric and Presto). Unlike other celebrity voice acting in cartoons, this was a real novelty to have professional actors providing voices for characters that they didn't already play on another show - the cast from Happy Days, Laverne & Shirley and Mork & Mindy provided the voices for their animated counterparts, but never for original characters like this.

Third, it was the first (and as far as I have been able to tell, the ONLY) cartoon that the National Coalition on Television Violence (BOOO! HISS!) demanded that the FTC run a warning during each broadcast stating that "Dungeons & Dragons had been linked to real-life violent deaths". Their demand was ignored, but it had the effect of many scripts never even making it to the storyboard stage. As a result, the orders for new episodes each season kept dwindling - 13 episodes the first season, 8 for the second season, 6 for the third season. Basically, they starved the audience away :(

Fourth, this show had one of the best legends of all the Saturday Morning Cartoons, namely a fabled FINAL EPISODE that never aired but many kids SWORE they had seen it. The final un-produced episode would have revealed that the latter is Dungeon Master's corrupted son, and would have explained that the children were brought into the realm to help redeem Venger and restore balance. Want to read it? It's right here AND they even made an audio play of it for the deluxe DVD release of the full series so go pick that up if you're interested!
[identity profile] captain-slinky.livejournal.com


Monchhichis was yet another "We want another show like The Smurfs" cartoon series produced by Hanna-Barbera for ABC that premiered at 9:00 in 1983. The Monchhichis were monkey-like creatures who lived in some weird forest land called Monchia at the very top of some very tall trees high above the clouds. The tribe's leader was Wizzar, a magical wizard who could make up spells and potions to defeat their enemy, the evil Grumplins of Grumplor.

Much like The Smurfs, The Monchichis were already a beloved property elsewhere before we got hold of them and made them STARS. The Monchichis were a line of Japanese stuffed toy monkeys from the Sekiguchi Corporation, first released in 1974. They became so popular that they even got their ow cartoon series in 1980, "Monchhichi Twins", which was nothing like the Hanna-Barbera Monchichis cartoon of 1983.

Moved to 8:00 in the spring of 1984, when it was combined with the Richie Rich and Little Rascals show.
[identity profile] captain-slinky.livejournal.com


In the wake of 1982's very profitable Pac-Man Cartoon advertising shenanigans, the folks at Ruby-Spears started snapping up the rights to pretty much every and any video game they could get. They didn't have a network, they didn't have a promise... they just realized that this was how it's going to work and so they did it knowing that the advertisers and the networks would come.

And so at 8:30 on saturday morning in 1983, CBS premiered "Saturday Supercade", a conglomeration of 11-minute videogame-based cartoon segments that weren't strong enough to carry their own half-hour series yet somehow, when lumped together, proved to be quite a ratings powerhouse!

The first season included segments on Donkey Kong, Donkey Kong Jr., Pitfall Harry, Frogger and Qbert. Summaries:

DONKEY KONG escaped from the zoo and is chased around by Mario and Pauline (seems legit).
DONKEY KONG JR is looking for his dad and teams up with a teenager on a motorcycle to find him (Aww sweet).
PITFALL HARRY, his niece Rhonda, and a cowardly Mountain Lion(!?!) search for treasure
FROGGER is an investigative reporter(?!?)
QBERT is a 1950's teenager(???)

The second season dropped Pitfall Harry, Donkey Kong Jr and Frogger so they could ad "Kangaroo" and "Space Ace", which were both SO MUCH more like what they sound like than any of the previous season's cartoons had been.

Also aired at 9:30 and 11:30 in the 1984/1985 season
[identity profile] captain-slinky.livejournal.com


In 1983, CBS started their official broadcast offering at 8:00 with the Hanna-Barbera show THE BISKITTS. The Biskitts are a group of tiny anthropomorphic Robinhood-esque dogs who live on Biskitt Island and guard the crown jewels of Biskitt Castle while also performing good deeds for the underprivileged inhabitants of their tiny island. The villain of the series is the king's mean-spirited, wasteful, younger brother King Max who rules the neighboring Lower Suburbia. In lieu of a proper coronation, Max constantly schemes to steal the royal treasure with the help of his hench-hounds Fang & Snarl and his jester Shecky. The Biskitts are also in danger of being captured and eaten by a large wildcat named Scratch.

And then they were almost killed by ANOTHER group of anthropomorphic animals, The Shirt Tales

See, when The Biskitts was first ordered and presented to advertisers, they all thought they had a genuine hit on their hands. LITTLE ROBIN HOOD PUPPIES!!! It looked like The Smurfs, only with TALKING PUPPIES! How can you go wrong with PUPPIES???

PUPPIES!!!

Provided that the show could pull in the ratings, The Biskitts were poised to be the next Smurfs, with toys, comics, posters, books, sheets, tissues, school supplies - you name it! Provided that the kids would tune in...

The mid-season rating came in and it seemed that children everywhere agreed - The Biskitts ranked somewhere between "The Morning Farm Report" and "Just turning off the TV so we can go outside and play". They tried for a FULL SEASON ROTATION (Fall and Spring) to make this show click with the kids, but it just didn't happen.

Meanwhile, some magical shenanigans were underway behind the scenes! The fickle finger of fate was stirring things up in several place at once to make sure that this show reached the proper audience! All at once, these seemingly unconnected thing happened:
  • CBS was pestering Hanna-Barbera over misrepresentation of this show, insisting that H-B "Fix it".
  • NBC, realizing that they couldn't win the Saturday Morning Ratings Game with re-packaged reruns, were looking to streamline and modernize their Saturday Morning line-up.
  • Patriotism in America was on the rise thanks to The Cold War.


SO! CBS cancelled the second season of Biskitts at the last possible moment. NBC Cancelled Shirt Tales to make room for stuff like Kidd Video. Hanna-Barbera pledged to provide the Armed Forces Network with more "fresh" programming than ever before, "for the troops".

Hanna-Barbera said "Hey CBS! We've got a proven performer for you, SHIRT TALES!"

Hanna-Barbera said "Hey Armed Forces Network! We've got a super-fresh cartoon for you, THE BISKITTS!"

So come Fall of 1984, The Biskitts were replaced by The Shirt Tales AND The Armed Forces Network started showing The Biskitts to the children of our troops stationed abroad, primarily Europe and Asia. That SHOULD be the end of the story, but...

The Biskitts achieved a level of popularity on the Armed Forces Network that they had hoped for here in the States! CRAZY! CBS was supposedly FURIOUS and said something akin to "How DARE YOU take away our wonderful show and replace it with this mediocre cast-off from NBC? GIVE US BACK OUR BISKITTS!"

And so in the Spring of 1985, The Shirt Tales went away and were replaced with re-runs of The Biskitts. Theory was that The Biskitts had just been "before it's time" in the US, but once again it tanked in the ratings and was gone by Fall of 1985.

HOWEVER, as a happy footnote for all you Biskitts fans? The Armed Forces Network continued to rerun the 13 episodes (26 11-minute segments) all the way through the 80's, giving them an international notoriety rarely seen by a single-season cartoon :)
[identity profile] captain-slinky.livejournal.com


ABC Television brought us this, the SIXTH incarnation of Scooby-Doo, at 8:00 Saturday morning in 1983 courtesy of Hanna-Barbera. For those of you keeping score, THIS is the version that featured Scooby, Scrappy, Shaggy and the triumphant return of DAPHNE BLAKE, who hadn't been in an episode since 1979! They drove around the country solving supernatural mysteries (usually lasting only 11 minutes but occasionally being a two-part story that took the entire half-hour to complete).

It's my opinion that the newer "Mystery Incorporated" cartoon from Cartoon Network (which was absolutely BRILLIANT and you should go watch season 1 RIGHT NOW) borrowed heavily from this particular incarnation, with a bit more serious approach to the mysteries than before while also being slightly self-aware of just how silly this stuff could be. Moved to the 9am time slot in the Spring of 1984.

For the official 1984 Fall Season, they renamed the show to "The New Scooby-Doo Mysteries" and made no other changes to the show, just producing 13 more episodes. Moved to 10:30.
[identity profile] captain-slinky.livejournal.com


I figured I'd launch my listing of 1983 with a special mention of NBC's "One To Grow On", my own personal favorite of all the 1980's Saturday Morning Public Service spots!

Schoolhouse Rock over on ABC was good, don't get me wrong... but those were most assuredly a product of the 1970's.

In The News over on CBS... did anybody actually ever watch that on purpose? And once again, it was very much a product of the 70's.

But One To Grow On? That's ALL 80's, BABY! Beginning in 1983, these two-part, 1-minute commercials usually came at the end of some cartoon. Unlike the "The More You Know" campaign that replaced it in 1989 with its "Hi I'm a celebrity, Crack is Wack, stay off drugs" shooting star log and finish, One To Grow On had the celebrity in question watch the video, then comment on what we should learn from it, and then finish the video.
[identity profile] captain-slinky.livejournal.com


I know so very little about this series! Looks like "Tenacious D: The Animated Series" to me. Yet another of the Marvel Productions attempts at a traditional Hanna-Barbera / Filmation action/comedy, The series centered on Meatballs & Spaghetti, a husband-and-wife singing duo who roamed the country in a mobile home with their friend Clyde (who was the bassist), and their dog Woofer (who was their drummer).

I have never seen an episode of this show... anybody care to share any thoughts about it?

Debuted in the 11:30 time slot of 1982, moved to 9am in the Spring of 1983, and then was *gone*.
[identity profile] captain-slinky.livejournal.com


1982 was the second season of the hit NBC cartoon Spider-Man And His Amazing Friends only NOW it was joined by a second popular Marvel Comic character, THE INCREDIBLE HULK.

The Incredible Hulk is basically the story of a careless scientist with rage issues.

But the COOL PART of this serie was the narrations by my close personal friend STAN (THE MAN) LEE!


(CLOSE PERSONAL FRIEND)

They even had good ol' Stan go back and record word-for-word narrations of the first season episodes (which had been narrated by Dick Tufeld) so that the series seemed cohesive. These narrations (for the first and second season) are unfortunately not on the current masters. They have not aired since the NBC airings :(
[identity profile] captain-slinky.livejournal.com


In 1982 at 11am on ABC was a little slice of cult legend, misdirected ambition and same-old same-old in the form of the hour-long Scooby & Scrappy Puppy Hour. This show was the first (and I think only?) collaboration between the Saturday Morning Juggernauts, Ruby-Spears and Hanna-Barbera. The first half-hour of the show consisted of three 7-minute shorts, a mix of "Scooby and Scrappy-Doo" (the version where Scooby, Scrappy and Shaggy travel across the country as the "Fearless Detective Agency" and get involved in typical spy or criminal cases) and "Scrappy and Yabba-Doo" (Scrappy-Doo's adventures with his uncle Yabba-Doo and Deputy Dusty in the wild west), followed by a full 30-minute episode of "The Puppy's New Adventures" in the second half-hour. The Scooby/Scrappy-related shorts were written and voiced at Hanna-Barbera Productions, but animated and edited by Ruby-Spears Enterprises.

(Also aired at 10:00 starting in the Spring of 1983)

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